Seeking Sacred Landscapes

bar

bar@2x

bttnBookmarks

bttnBookmarks@2x

bttnBookView

bttnBookView@2x

bttnDownload

bttnDownload@2x

bttnFind

bttnFind@2x

bttnFullscreen

bttnFullscreen@2x

bttnHand

bttnHand@2x

bttnOutline

bttnOutline@2x

bttnPrevNext

bttnPrevNext@2x

bttnPrevPage

bttnPrevPage@2x

bttnPrint

bttnPrint@2x

bttnSinglePage

bttnSinglePage@2x

bttnSocialShare

bttnSocialShare@2x

bttnTextSelect

bttnTextSelect@2x

bar

bar@2x

bttnBookmarks

bttnBookmarks@2x

bttnBookView

bttnBookView@2x

bttnDownload

bttnDownload@2x

bttnFind

bttnFind@2x

bttnFullscreen

bttnFullscreen@2x

bttnHand

bttnHand@2x

bttnOutline

bttnOutline@2x

bttnPrevNext

bttnPrevNext@2x

bttnPrevPage

bttnPrevPage@2x

bttnPrint

bttnPrint@2x

bttnSinglePage

bttnSinglePage@2x

bttnSocialShare

bttnSocialShare@2x

bttnTextSelect

bttnTextSelect@2x

bttnBookView

bttnDownload

bttnFind

bttnFullScreen

bttnMore

bttnPrevNext

bttnPrevPage

bttnPrint

bttnSinglePage

bttnThumbView

bttnZoomIn

bttnZoomOut

bttnBookView

bttnFind

bttnFullScreen

bttnPrevNext

bttnPrevPage

bttnPrint

bttnSinglePage

bttnThumbView

bttnZoomIn

bttnZoomOut

myCustomButton

myCustomButton2

black_wood

light_wood

SSL_BTM_Exhibit_.pdf_1

SSL_BTM_Exhibit_.pdf_10

SSL_BTM_Exhibit_.pdf_10_thumb

SSL_BTM_Exhibit_.pdf_11

SSL_BTM_Exhibit_.pdf_11_thumb

SSL_BTM_Exhibit_.pdf_12

SSL_BTM_Exhibit_.pdf_12_thumb

SSL_BTM_Exhibit_.pdf_13

SSL_BTM_Exhibit_.pdf_13_thumb

SSL_BTM_Exhibit_.pdf_14

SSL_BTM_Exhibit_.pdf_14_thumb

SSL_BTM_Exhibit_.pdf_15

SSL_BTM_Exhibit_.pdf_15_thumb

SSL_BTM_Exhibit_.pdf_16

SSL_BTM_Exhibit_.pdf_16_thumb

SSL_BTM_Exhibit_.pdf_17

SSL_BTM_Exhibit_.pdf_17_thumb

SSL_BTM_Exhibit_.pdf_18

SSL_BTM_Exhibit_.pdf_18_thumb

SSL_BTM_Exhibit_.pdf_19

SSL_BTM_Exhibit_.pdf_19_thumb

SSL_BTM_Exhibit_.pdf_1_thumb

SSL_BTM_Exhibit_.pdf_2

SSL_BTM_Exhibit_.pdf_20

SSL_BTM_Exhibit_.pdf_20_thumb

SSL_BTM_Exhibit_.pdf_21

SSL_BTM_Exhibit_.pdf_21_thumb

SSL_BTM_Exhibit_.pdf_22

SSL_BTM_Exhibit_.pdf_22_thumb

SSL_BTM_Exhibit_.pdf_23

SSL_BTM_Exhibit_.pdf_23_thumb

SSL_BTM_Exhibit_.pdf_24

SSL_BTM_Exhibit_.pdf_24_thumb

SSL_BTM_Exhibit_.pdf_25

SSL_BTM_Exhibit_.pdf_25_thumb

SSL_BTM_Exhibit_.pdf_26

SSL_BTM_Exhibit_.pdf_26_thumb

SSL_BTM_Exhibit_.pdf_27

SSL_BTM_Exhibit_.pdf_27_thumb

SSL_BTM_Exhibit_.pdf_28

SSL_BTM_Exhibit_.pdf_28_thumb

SSL_BTM_Exhibit_.pdf_29

SSL_BTM_Exhibit_.pdf_29_thumb

SSL_BTM_Exhibit_.pdf_2_thumb

SSL_BTM_Exhibit_.pdf_3

SSL_BTM_Exhibit_.pdf_30

SSL_BTM_Exhibit_.pdf_30_thumb

SSL_BTM_Exhibit_.pdf_31

SSL_BTM_Exhibit_.pdf_31_thumb

SSL_BTM_Exhibit_.pdf_32

SSL_BTM_Exhibit_.pdf_32_thumb

SSL_BTM_Exhibit_.pdf_33

SSL_BTM_Exhibit_.pdf_33_thumb

SSL_BTM_Exhibit_.pdf_34

SSL_BTM_Exhibit_.pdf_34_thumb

SSL_BTM_Exhibit_.pdf_35

SSL_BTM_Exhibit_.pdf_35_thumb

SSL_BTM_Exhibit_.pdf_36

SSL_BTM_Exhibit_.pdf_36_thumb

SSL_BTM_Exhibit_.pdf_37

SSL_BTM_Exhibit_.pdf_37_thumb

SSL_BTM_Exhibit_.pdf_38

SSL_BTM_Exhibit_.pdf_38_thumb

SSL_BTM_Exhibit_.pdf_39

SSL_BTM_Exhibit_.pdf_39_thumb

SSL_BTM_Exhibit_.pdf_3_thumb

SSL_BTM_Exhibit_.pdf_4

SSL_BTM_Exhibit_.pdf_40

SSL_BTM_Exhibit_.pdf_40_thumb

SSL_BTM_Exhibit_.pdf_41

SSL_BTM_Exhibit_.pdf_41_thumb

SSL_BTM_Exhibit_.pdf_42

SSL_BTM_Exhibit_.pdf_42_thumb

SSL_BTM_Exhibit_.pdf_43

SSL_BTM_Exhibit_.pdf_43_thumb

SSL_BTM_Exhibit_.pdf_44

SSL_BTM_Exhibit_.pdf_44_thumb

SSL_BTM_Exhibit_.pdf_45

SSL_BTM_Exhibit_.pdf_45_thumb

SSL_BTM_Exhibit_.pdf_46

SSL_BTM_Exhibit_.pdf_46_thumb

SSL_BTM_Exhibit_.pdf_47

SSL_BTM_Exhibit_.pdf_47_thumb

SSL_BTM_Exhibit_.pdf_48

SSL_BTM_Exhibit_.pdf_48_thumb

SSL_BTM_Exhibit_.pdf_49

SSL_BTM_Exhibit_.pdf_49_thumb

SSL_BTM_Exhibit_.pdf_4_thumb

SSL_BTM_Exhibit_.pdf_5

SSL_BTM_Exhibit_.pdf_50

SSL_BTM_Exhibit_.pdf_50_thumb

SSL_BTM_Exhibit_.pdf_51

SSL_BTM_Exhibit_.pdf_51_thumb

SSL_BTM_Exhibit_.pdf_52

SSL_BTM_Exhibit_.pdf_52_thumb

SSL_BTM_Exhibit_.pdf_53

SSL_BTM_Exhibit_.pdf_53_thumb

SSL_BTM_Exhibit_.pdf_54

SSL_BTM_Exhibit_.pdf_54_thumb

SSL_BTM_Exhibit_.pdf_55

SSL_BTM_Exhibit_.pdf_55_thumb

SSL_BTM_Exhibit_.pdf_56

SSL_BTM_Exhibit_.pdf_56_thumb

SSL_BTM_Exhibit_.pdf_57

SSL_BTM_Exhibit_.pdf_57_thumb

SSL_BTM_Exhibit_.pdf_58

SSL_BTM_Exhibit_.pdf_58_thumb

SSL_BTM_Exhibit_.pdf_59

SSL_BTM_Exhibit_.pdf_59_thumb

SSL_BTM_Exhibit_.pdf_5_thumb

SSL_BTM_Exhibit_.pdf_6

SSL_BTM_Exhibit_.pdf_60

SSL_BTM_Exhibit_.pdf_60_thumb

SSL_BTM_Exhibit_.pdf_61

SSL_BTM_Exhibit_.pdf_61_thumb

SSL_BTM_Exhibit_.pdf_62

SSL_BTM_Exhibit_.pdf_62_thumb

SSL_BTM_Exhibit_.pdf_63

SSL_BTM_Exhibit_.pdf_63_thumb

SSL_BTM_Exhibit_.pdf_64

SSL_BTM_Exhibit_.pdf_64_thumb

SSL_BTM_Exhibit_.pdf_65

SSL_BTM_Exhibit_.pdf_65_thumb

SSL_BTM_Exhibit_.pdf_66

SSL_BTM_Exhibit_.pdf_66_thumb

SSL_BTM_Exhibit_.pdf_67

SSL_BTM_Exhibit_.pdf_67_thumb

SSL_BTM_Exhibit_.pdf_68

SSL_BTM_Exhibit_.pdf_68_thumb

SSL_BTM_Exhibit_.pdf_69

SSL_BTM_Exhibit_.pdf_69_thumb

SSL_BTM_Exhibit_.pdf_6_thumb

SSL_BTM_Exhibit_.pdf_7

SSL_BTM_Exhibit_.pdf_70

SSL_BTM_Exhibit_.pdf_70_thumb

SSL_BTM_Exhibit_.pdf_71

SSL_BTM_Exhibit_.pdf_71_thumb

SSL_BTM_Exhibit_.pdf_72

SSL_BTM_Exhibit_.pdf_72_thumb

SSL_BTM_Exhibit_.pdf_73

SSL_BTM_Exhibit_.pdf_73_thumb

SSL_BTM_Exhibit_.pdf_74

SSL_BTM_Exhibit_.pdf_74_thumb

SSL_BTM_Exhibit_.pdf_75

SSL_BTM_Exhibit_.pdf_75_thumb

SSL_BTM_Exhibit_.pdf_76

SSL_BTM_Exhibit_.pdf_76_thumb

SSL_BTM_Exhibit_.pdf_77

SSL_BTM_Exhibit_.pdf_77_thumb

SSL_BTM_Exhibit_.pdf_78

SSL_BTM_Exhibit_.pdf_78_thumb

SSL_BTM_Exhibit_.pdf_79

SSL_BTM_Exhibit_.pdf_79_thumb

SSL_BTM_Exhibit_.pdf_7_thumb

SSL_BTM_Exhibit_.pdf_8

SSL_BTM_Exhibit_.pdf_80

SSL_BTM_Exhibit_.pdf_80_thumb

SSL_BTM_Exhibit_.pdf_81

SSL_BTM_Exhibit_.pdf_81_thumb

SSL_BTM_Exhibit_.pdf_82

SSL_BTM_Exhibit_.pdf_82_thumb

SSL_BTM_Exhibit_.pdf_83

SSL_BTM_Exhibit_.pdf_83_thumb

SSL_BTM_Exhibit_.pdf_84

SSL_BTM_Exhibit_.pdf_84_thumb

SSL_BTM_Exhibit_.pdf_8_thumb

SSL_BTM_Exhibit_.pdf_9

SSL_BTM_Exhibit_.pdf_9_thumb

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

FlowPaper

SSL_BTM_Exhibit_

Look Close See Far Exhibit is up at The El Paso Museum of Archaeology

Look Close See Far, A Cultural Portrait of the Maya Exhibit is up at the El Paso Museum of Archaeology from June 19 – September 9, 2012. I will be giving a talk at 2pm on Saturday June 23 followed by a reception from 3 – 4:40 pm. For more information click the press release link below. Hope to see you there!

PRESS RELEASE – June 23, 2012 Exhibit Opening and Program_Look Close See Far, A Cultural Portrait of the Maya

Digital Verses Film Test

This test compares

-6×9 Ilford FP4 120 Film, Fuji NPS 120 Film and Canon 5DmkII Files

-Capture One 6.3.3 and Adobe Raw 6.2

-Capture One B&W Conversions, Adobe B&W Conversions and Photoshop CS5 B&W Adjustment Layer and B&W Film

Cameras Used

-Canon 5D MARK II with a Canon EF24-70MM f/2.8 ZOOM LENS Set as ASA 100, Daylight and Camera Raw

– TOYO AR FIELD CAMERA SCHNEIDER SYMMAR-S 5.6/135 COPAL 0 with a Mamiya 6×9 Roll Film Back

Scanner Used

Imacon 848 3.25 in x 2.16 in at 2000 dpi 16bit Adobe RGB

Example Files – The following are 10in x 7in in at 150 dpi  8bit srgb JPEGs. See download link to full size files at bottom.

01_CANON5D_adobe

Canon 5D MARK II  ASA 100  1/30 SECOND AT F22

EF24-70MM f/2.8 ZOOM LENS AT 70MM

Adobe Raw  PROCESSED 100%

02_CANON5D_adobe_bw

Canon 5D MARK II  ASA 100  1/30 SECOND AT F22

EF24-70MM f/2.8 ZOOM LENS AT 70MM

Adobe Raw B&W Conversion PROCESSED 100%

03_CANON5D_capture

Canon 5D MARK II  ASA 100  1/30 SECOND AT F22

EF24-70MM f/2.8 ZOOM LENS AT 70MM

Capture One 6.3.3 PROCESSED 100%

04_CANON5D_capture_bw

Canon 5D MARK II  ASA 100  1/30 SECOND AT F22

EF24-70MM f/2.8 ZOOM LENS AT 70MM

Capture One 6.3.3 B&W Conversion PROCESSED 100%

05_CANON5D_capture_cs5_bwfilter

Canon 5D MARK II  ASA 100  1/30 SECOND AT F22

EF24-70MM f/2.8 ZOOM LENS AT 70MM

Capture One 6.3.3 CS5 B&W Filter PROCESSED 100%

06_6x9_NPS

TOYO FIELD CAMERA SCHNEIDER SYMMAR-S 5.6/135 COPAL 0 ROLLBACK

120 FUJI NPS ASA 100   1/30 SECOND  F45       IMACON 848 SCAN AT 2000DPI

07_6x9_NPS_cs5_bwfilter

TOYO FIELD CAMERA SCHNEIDER SYMMAR-S 5.6/135 COPAL 0 ROLLBACK

120 FUJI NPS ASA 100   1/30 SECOND  F45       IMACON 848 SCAN AT 2000DPI

CS5 B&W Filter

08_6x9_FP4

TOYO FIELD CAMERA SCHNEIDER SYMMAR-S 5.6/135 COPAL 0

6X9 ROLLBACK120 ILFORD FP4 ASA 80    DEVELOPED N-1/3

1/30 SECOND  F32       IMACON 848 SCAN AT 3200DPI

These files have not been cleaned or adjusted in Photoshop except for the B&W adjustment layer conversion.  No additional sharpening has been applied.

 

Analysis

Film verses Digital

Film Used

Ilford FP4 120 Film ASA 80 Processed at Normal minus 1/3

Fuji NPS 120 Film

Contrast

-NPS (6) had less contrast than Digital and FP4 (8)

-FP4 (8) had more contrast than Digital and NPS (6,7)

-NPS B&W (7) had less contrast than NPS (6)

Sharpness

-NPS (6,7) and FP4 (8) had less sharpness than digital

-Note I scanned at 2000 Dpi to get comparable file sizes and it is also the scan DPI I normally use for NPS film, but cans can higher which I do for B&W film (3200dpi).

Different lenses might yield different results.

Capture One 6.3.3 verses Adobe Raw 6.2-all made at 16 Bit Color

Contrast

-Very similar between Adobe Raw (1) and Capture One (3) with Capture One showing slightly more contrast

Sharpness

Adobe Raw (1) opens the files slightly larger at

144M at 10.24 inches x 15.36 inches at 400 dpi

Capture One (3) opens the Files at 120.3M at 9.36 inches x 14.04 inches at 400 dpi

The Capture One File appears to be sharper with better clarity

And less distortion

Color

Capture One is set to output the files in ProPhoto RGB then when opening in Photoshop they are converted to Adobe RGB. Adobe Raw is set to output to Adobe RGB. Capture One color appears to be cleaner and more neutral after using the White Balance Eyedropper Tool on the Silver bucket in both programs before opening files from their raw state.

 

Digital B&W Conversions

Adobe Raw (2) and Capture One (4) seem very similar. Capture One with CS5 B&W Adjustment Layer made image slightly lighter, which reduced contrast

Film Cost

This is a somewhat unfair consideration, given the cost of Digital equipment and image manipulation applications but you need those for scanned film as well

2 rolls at Ilford FP4 120 Film $4.25 = $8.50

2 Processing at $8.25 = $16.50

2 Rolls at Fuji NPS 120 Film $5.59  = $11.18

2 Processing $8.25= $16.50

—————————————

Film/Processing Cost $52.68

Other Considerations

Approximately 30 Minutes to scan and clean Film Negatives

Approximately 10 Minutes to process and clean Digital Files

Approximately 15 Minutes to set up camera, take photo with Film Camera

Approximately 5 Minutes to set up camera, take photo with Digital Camera

Conclusions

Since I last made a comparison between Film and Digital Camera Systems, Digital Systems have moved forward dramatically for the better. As for color film converted to B&W, I think it gives you a lot of options with no loss of quality. I plan to do this test again with different and more colorful subject matter, add cameras that I use to this test, such as Toyo 4×5 View Camera with film, Arca Swiss with the Phase One P45+ Back, the Mamiya 645AFD II with the Phase One P45+ Back, and the Sony Nex-5 to see how they compare. For now, I think these test show for my upcoming photography in Mexico, the Canon 5DMKII Camera using Capture One will get me the best results in the most efficient way at the lowest cost (not taking into account damage or theft). I plan to add additional comments as I continue my analysis. You can down load the full size files (1Gig zip folder with 8 files-takes 10 minutes or so to download) to make your own judgments at

http://brucetmartin.com/exampleimages.zip

Foto Fest 2012 Exhibit – HEALINGSCAPES: LAND & SEA

Eleanor Brown
Kent Krugh
Bruce T. Martin
Anne Rowland
Jim Vecchi
Hiroshi Watanabe

This exhibition of contemplative photographs provides a healing respite from the cares of contemporary life. Working photographers, from diverse backgrounds and geographical locations, create images of nature, culture and spirituality. In Jim Vecchi’s “Witness to Infinity,” we experience the vastness and timelessness of the sea. Nature is connected to spirituality in Hiroshi Watanabe’s view of a temple through snow-laden branches, while Eleanor Brown’s explorations in the Arctic return us to our primordial origins. Kent Krugh presents “Angel Oak,” a much revered 1400-year-old tree, and Bruce T. Martin’s cave connects us to the ancient Maya culture. The lyrical “Bittersweet Curl” by Anne Rowland, reminds us of a simpler, more bucolic era.
The goal of The Methodist Experience is to provide an exceptional culture of personalized service, satisfaction, and engagement for all involved in the healing process. The Healing Arts Exhibition Series promotes health and healing through the beauty, harmony and eloquence of the arts, and enriches the lives of all those who experience its programs.

For more information about The Methodist Experience, please contact
MethodistExperienceCentral@tmhs.org or call 713-441-5015

Click here to download exhibit card: Healingscapes